I woke up this morning feeling sicker than the past few days I had felt sick so I e-mailed in to PBS letting them know I wasn't feeling well and I should probably stay home so I don't get anyone else sick. I got an e-mail back telling me to get better, which was nice.
In all honesty I probably felt functional enough to get up and go into the city but, again, I don't think that the people at PBS needed me so desperately to do something that they wouldn't mind getting sick in the process.
Aside from that, I slept all day and tried to get better, although I was given dreams of pirate ships and zombies... I think...
The four days prior to today I was picking up equipment, shooting and then returning equipment. Somewhere in the middle of those four days I misplaced my voice and just now I've managed to find enough pieces of it to reassemble enough of it to not sound ridiculous.
All of this, however, means that we shot Aprile Ruha's film and now that's all finally done and in the can, which is a wonderful thing because I can now stop worrying about it.
The shoot, overall, went quite well and quite smoothly, despite my mad driving in a 15 Passenger Van at 70 to 90 mph to set when we were late. Yea, that was dangerous and quite scary, I've scared myself quite a few times, especially since the guy at the rental place told me to keep it at 50. Note, these cars are quite easy to flip over apparently, not that I experienced that myself, quite actually, despite the fear that I spread to the little freshmen PA's , I'd like to think that I actually drove quite well, considering the fact that we all got to set and back each day safe and sound.
The shoot itself, however, was really smooth, considering the rough time we had during preproduction, but then again, I guess a rough pre production should signal a smooth production, if not then you're doing something wrong.
On Friday, somewhere amist all the pick-ups and planning I managed to grab a few hours where I could take a friend with me to see the New York premier of PBS' Joan Baez film, "Joan Baez: How Sweet the Sound," which came out quite well. Afterwards my friend tagged along as I grabbed our cargo van and headed over to pick up more equipment and then handed off the filled cargo van to Aprile's uncle, who drove the van over to Long Island, where we were shooting.
Jessica, (my, until now unnamed friend) and I then grabbed some food and then I drove her home in the 15 Passenger van because the trains were being stupid. I found out she lives really close to my grandma.