Free Work

Recently I go a text from a friend telling me that the PA position I had recommended them for was not paying. That really made me mad as I was under the impression that it was and that having to be informed of it this way was rather insulting. Now, the director of this film is a friend of mine and clearly all of this is being done in the indie filmmaking world. Having been essentially raised in that culture during my time at NYU and my continued experience in seeing it after graduation (it's kind of a side-effect of living on the east coast), I am no stranger to the challenges of trying to create something with no money and can only imagine that trying to make a feature length film is 10x more difficult in that regard.

Shooting a film is hard -- especially an indie film -- it is boasts all the problems of launching a start-up with significantly less flexibility in procedure and NO immediately marketable product. Despite all that, however, it is NOT ok to advertise a PA position that will ultimately be unpaid -- and let me explain why.

The film and television industry is flooded with naive kids ripe for taking advantage of -- all just trying to get into the industry somehow. -- I used to be one of them, so I know first hand how quickly you become jaded once something legitimate comes along (and rightfully so). Generally, it's not until then that you come to realize that at the end of the day, asking a PA to work for free helps no one but yourself. Typically, asking someone to work for free comes with something for them. It is only a partially legitimate argument that you can use whatever work you did on the film for your reel and that working on this project will be a great benefit for you once the film goes somewhere. It is a shitty reason at best, but at the very least, a reason. If we look at everything realistically, the chances that your indie film will go anywhere are fairly slim. Alongside that, as a PA, the very simple question arises of "how does this in any way benefit me?". If you are making a film with the intention of profiting from it, which you are (don't give me any bullshit about artistic integrity) unless you're a moron who likes to waste money (in which case, you can afford to pay your PA's) or a nonprofit organization (in which case you should either have a legit budget or be working with a skeleton crew), it is not fair to be asking someone to sacrifice weeks to months of their time for nothing when you clearly aren't willing to do the same.

As I stated previously, your film has little chance of going anywhere and in the unlikely case that it does, no one is gonna look at the film and say "hey, that's a really great film! I think I'll look through the credits and see who the PA's are so I can hire them, because they clearly did an amazing job on this film!" Credits do NOTHING for PA's except provide minimal bragging rights in the off chance your film gets anywhere -- and even then, "yea, I was a whole crew's unpaid bitch on that production" doesn't really sound impressive.

Now, having said that, with an indie film I understand that there are always budgetary concerns, and I'm not asking that PA's be paid the full $200 a day rate (as is industry standard), nor do I expect you to pay them more than your DP or Sound mixer -- especially if they are bringing their own gear -- but I do expect them to be paid something -- anything to at least let them pay their bills (at least pay them the equivalent of minimum wage).

Comments not only welcomed, but encouraged.

Updates -- Overworked and Tired

So its managed to happen again; I've managed to get myself booked for way to many things. Recently I've submitted my film "哥哥“ to the "San Diego Asian American Film Festival" as well as "Sundance Film Festival," so now I'm just waiting on confirmation that they've received my screeners -- which they should have since I sent them out about a week ago, but Withoutabox still tells me no (which perturbs me because San Diego's deadline was postmarked by the 11th, which was last week... and so if USPS sends me my package back instead of delivering it I'm going to have to go to the post office and raise some hell) so USPS just might be being retarded... as they often can be.

Aside from that I'm trying to find a bar for my friend Nick Feitel's film, which he hopes to shoot next week... (great Nick, just great, you ask me to find you a bar to shoot in in the middle of the World Cup... I see this going really well...) meanwhile I'm trying to get the materials I need to shoot my Interpretations Film as well as, as of last week, am now trying to make a short stop-motion spot for a coffee house called Coffee Foundry -- and yes, this is pro-bono work.

Today I woke up really early in the morning to go to the city to pick up a camera I dropped off/stashed in one of my boss's offices in PBS Friday night for a shoot up in Cooperstown New York -- which is a 4 hour drive from Manhattan. This was for a shoot for Picturing America which is that series being headed by Gail Levin -- who I've mentioned in previous posts. My plan for that was to go to sleep at 10PM and wake up at 5AM to catch a 6:17AM train into the city since I was supposed to meet up with the director of this episode at 7:45AM at 43rd between 2nd and 3rd (just a note, PBS is at 33rd between 9th and 10th) -- the go to sleep early plan was good -- in theory. I just ended waking up at 1AM and couldn't get back to sleep. I went to the shoot, passed out in the car for the 4 hour drive up, did the shoot, drove a good part of the way back and then got done with everything relating to that shoot at 10:30PM and then went to work until 12:30AM and then ran to catch my train home. Back home I ate a little bit and then, once my parents went to sleep, went to working on that coffee commercial -- which I'm trying to get done by the end of the week... I finished with the stadium. (I'm trying to make coffee beans play soccer... should be interesting, I'll post the final product up here) Tomorrow hopefully I'll be able to try some animation tests... something tells me I'm going to have to try to make a ghetto lens bellows system to get close enough to the coffee beans, but I guess I'll figure that out as I come to it. Right now it's 5AM and I'm tired and I need to be up at 8AM so that I can catch a 9:17 train in for another shoot (A Steve Brodner shoot for Need To Know.)

More later.

On More Free Work

The plan, originally, was to continue my internship with American Masters (PBS) until September, but as prospects of employment continued to look bleak I abandoned any ideas of leaving and stayed put, thinking it was better for me to stay at my internship and not get paid than sit at home doing nothing and not get paid.

The thinking i still support and plan to continue, yes, at PBS. On Wednesday I spent a bit of my free time surfing the classified ads on Mandy.com looking for some work that I was qualified for. I applied for about 4 or 5 positions and none have gotten back to me, except one, probably unpaid, post production internship.

The company's name is citybuzz and I was contacted by the editor/production associate for an interview on Monday at 11am. (I got this interview possibly only because I'm an NYU graduate and she is also an NYU alum, I mean the email went; "As a former NYU graduate, I would love to have my boss interview you for the Final Cut Pro internship at citybuzz.") I sought to take on this internship with the hopes of having something to put on my resume to make me look more legit as a post production person. Honestly, despite the fact that I know I know how to fluently use the editing systems Final Cut and Avid, my resume doesn't reflect that. I believe that on the entire resume I have one thing that's related to editing and that's my documentary on Ham Radio which is listed as director and editor. Additionally, if I get this, hopefully this is something that can lead to some paid work in the future.

Now, aside from something that can boost my resume, what I'm looking for in an internship is flexibility. Yes, I would like a stipend as well, but that's not as important to me as flexibility. Take, for example, PBS. I am still with American Masters (and will be staying with American Masters) because they're flexible with me. They understand that I may have freelance work or whatever going on so if I can't make a day or week or even as long as a month, as long as I provide notice ahead of time, they're fine with it. I can guarantee this internship with Citybuzz two full days a week; Monday and Friday. In order for me to work at this place as an intern I need for them to understand that my schedule is, while usually locked solidly in place, needs to have room for movement, especially if they aren't paying me, and if they can't do that, as unfortunate as it may sound, it just may be a place at which I can't be an intern.

I guess I'll provide updates on what's going on and how it all turns out.